With royal wedding fever nearing boiling point, there’s one question on everybody’s lips: What will Meghan wear?

Will she choose an English designer to honour the country she’s marrying into, or will she completely surprise us? Ever since Prince Harry popped the question, anticipation’s been building.

This is nothing new, of course. It’s been the same story for royal weddings throughout history – except fortunately, we now have social media and colour TV to ensure we can all see the big-day action unfold in real time.

Here, with the help of Karen Whybro, owner of designer bridal boutique Rock The Frock, we take a look back at some of the most iconic and memorable royal wedding dresses through the decades…

Princess Alexandra, March 10, 1863
Princess Alexandra (PA)

Princess Alexandra, March 10, 1863
Long before Meghan caught the affections of the British public, Princess Alexandra of Denmark was the foreign bride crowds couldn’t wait to see.

The above photo is the first ever of a member of the royal family wearing their wedding dress, from her marriage to Queen Victoria’s son Edward Albert in 1863.

Whybro describes it as "an opulent and highly detailed dress, with an off-the-shoulder neckline and large floral motifs that dominated the design".

Adorned with decorative lace depicting Scottish thistles, Irish shamrocks and English roses, plus a 21ft train that took eight women to carry, it was a particularly over-the-top gown.

Lady Elizabeth Bowes-Lyon on her way to wed the Duke of York (PA Archive)
Lady Elizabeth Bowes-Lyon on her way to wed the Duke of York (PA Archive)

Elizabeth Bowes-Lyon, April 26, 1923
Long before becoming the Queen Mother, Elizabeth Bowes-Lyon married the Duke of York (later King George VI) in a style that was classic for her 1920s wedding.

Whybro contrasts her gown to Princess Alexandra’s, saying: "Her dress had a much straighter skirt, created from deep ivory chiffon, moving away from stark white and embroidered with pearls."

"The gown is very Twenties in design, featuring short cap sleeves with strips of Brussels lace, making it contemporary yet elegant." It was a simple affair, heavily influenced by Coco Chanel.

Queen Elizabeth II and Prince Philip leaving Westminster Abbey (PA)
Queen Elizabeth II and Prince Philip leave Westminster Abbey (PA)

Princess Elizabeth, November 20, 1947
The current Queen got married during a time of austerity, as the country was still recovering from the Second World War. Elizabeth used ration stamps to buy the fabric (although the government did give her 200 extra rations for the occasion), and it was designed by Norman Hartnell.

Whybro says: "Queen Elizabeth’s wedding dress incorporates elements of Princess Alexandra’s design, with embroidered floral motifs over the bodice and skirt, and long sleeves. In contrast to her mother’s dress, the Queen’s gown had a fit-and-flare silhouette, was created from ivory silk and embellished with crystals and pearls."

Elizabeth’s diamond tiara snapped hours before she was due to leave for the ceremony at Westminster Abbey. Luckily, a court jeweller was on standby, and they took the tiara via police escort for some emergency welding before returning it to the bride. If you’re eagle-eyed, you can spot a slight gap at the centre of the headpiece.

Princess Margaret and Antony Armstrong-Jones emerge from Westminster Abbey (PA)
Princess Margaret and Antony Armstrong-Jones emerge from Westminster Abbey (PA)

Princess Margaret, May 6, 1960
Princess Margaret’s dress for her wedding to Lord Snowdon is often described as the simplest royal wedding gown in recent history.

Whybro says: "Princess Margaret’s dress was in stark contrast to her younger sister’s, with the emphasis being on exquisite tailoring and beautiful fabrics. The gown was made from silk organza and featured much less detailing."

Although simple, the dress still had a full skirt and was designed to show off the bride’s petite frame.

Captain Mark Phillips and Princess Anne (PA)
Captain Mark Phillips and Princess Anne (PA)

Princess Anne, November 14, 1973
Princess Anne married Mark Phillips in Westminster Abbey, with an estimated global audience of 500 million watching.

"Princess Anne’s 1973 wedding dress could not be more of the era, in terms of style and silhouette," says Whybro.

"A Tudor-style high neck dress with medieval sleeves, this remarkably modern gown was sophisticated, simple and contemporary while featuring detailing embroidery far removed from that seen on Princess Elizabeth’s gown."

The Princess of Wales in her bridal gown at Buckingham Palace (PA)
The Princess of Wales in her bridal gown at Buckingham Palace (PA)

Princess Diana, July 29, 1981
For most people, chances are the words ‘royal wedding’ conjure the wedding of the century – when Lady Diana Spencer married Prince Charles.

It’s thought a whopping one billion tuned in worldwide to witness the fairy-tale event, and Whybro says: "Probably one of the most iconic wedding dresses of modern history, Princess Diana’s extravagant ballgown-style dress featured ivory silk taffeta and antique lace, with an opulent 25ft train."

The gown, she adds, "set wedding dress trends for years to come, with its large puffed sleeves, narrow waist & meringue style skirt". But having such a dramatic dress did come with its share of problems – too big for her glass carriage, Diana arrived at the ceremony slightly creased.

Sarah Ferguson, Duchess of York, in her wedding gown (PA)
Sarah Ferguson, Duchess of York, in her wedding gown (PA)

Sarah Ferguson, July 23, 1986
Sarah Ferguson had the unenviable position of following Diana’s wedding just five years later.

"Sarah Ferguson’s dress was always going to be compared to Diana’s, and was understandably much less elaborate," says Whybro. "The gown was an ivory satin bodice with heavy beading, retaining some of the Eighties elements of Diana’s dress in its puff sleeves, yet cut to a three-quarter length."

Sure, not as elaborate as Diana’s, but it still had a 17ft train.

Prince Edward and Sophie Rhys-Jones leaving St George's Chapel (PA)
Prince Edward and Sophie Rhys-Jones leaving St George’s Chapel (PA)

Sophie Rhys-Jones, June 19, 1999
Sophie Rhys-Jones’ dress was a much simpler affair when she married Prince Edward. However, Whybro says it echoes another royal gown from the past – Princess Margaret’s.

"Created from hand-dyed ivory silk organza and crepe, the dress featured minimal pearl and crystal beading around the neck and sleeves, with far less of a full skirt than previous royal gowns," she observes. "Rhys-Jones’ gown had a more modern feel, with simple lines."

The Prince of Wales and the Duchess of Cornwall leave their wedding ceremony
The Prince of Wales and the Duchess of Cornwall leave their wedding ceremony (Toby Melville/PA)

Camilla Parker-Bowles, April 9, 2005
Camilla Parker-Bowles was in a unique position when marrying Prince Charles, as this was a second marriage for both of them. As such, instead of wearing a white or ivory gown, Camilla opted for a more understated cream chiffon dress with an oyster coat. "Keeping detailing to the minimum, this contemporary outfit followed the tradition of not wearing ivory or white for a second wedding and instead featured modern styling, including a cream coloured straw hat."

William and Kate's wedding had the nation enthralled once again ( Kirsty Wigglesworth/PA)
William and Kate’s wedding had the nation enthralled once again ( Kirsty Wigglesworth/PA)

Kate Middleton, April 29, 2011
As with Meghan, there were months of speculation as to who would design Kate’s gown, in the run-up to her and Prince William’s wedding day. In the end, the honour went to designer Sarah Burton for Alexander McQueen, who created an ivory dress with a classic silhouette, covered in delicate lace.

Whybro says: "Changing wedding dress fashion for decades to come, in the same way Diana did, Kate’s McQueen creation was a combination of tradition and modernity, with a classic shape evoking that of Victorian styling with its narrow waist and hip padding, long lace sleeves and a semi-bustle at the back. The floral motifs echoed Princess Diana’s detailing and the full skirt with elegant train touched upon contemporary elements."