She's one of the most influential women in the world when it comes to fashion, so it's no surprise that Kate Middleton's milestone 40th birthday would be marked by three editorial portraits.
With 10 years as a member of the royal family under her belt, and a reputation as one of the most celebrated members of that family, Kate has become a figurehead for British fashion, considered dressing and sustainability, and has time and again influenced trends across the world.
As a keen photographer as well, it was fitting that her 40th birthday would be marked with three stunning photographs, taken by Paolo Roversi last November at at Temperate House in Kew Gardens. The three shots will join the permanent collection of the National Portrait Gallery, of which Kate is Patron.
Roversi himself is widely celebrated for his photography that combines contemporary high fashion with an air of otherworldly timelessness. He's shot campaigns for Saint Laurent, Dior, Valentino and more.
In these shots, however, the Duchess seems to draw heavy inspiration from royal matriarchs before her, posing in a style similar to Queen Victoria and the Queen Mother.
In her usual style, the portraits are both regal and effortlessly stylish, with a focus on one of Kate's favourite designers: Alexander McQueen. As the designer of her wedding gown, the brand has a special place in her heart and is a fashion house she returns to time and again.
In one, she wears a striking one-shouldered red gown, a custom version of the Asymmetric Draped-Sleeve Dress. Featuring one voluminous sleeve, a cinched-in waist and tea dress length, it's a classically tailored piece. She accessorised with The Queen's Diamond Frame Earrings.
In a second portrait, Kate wears the One-Shoulder Ruffle Gown, a romantic and feminine gown featuring layers of delicate ruffles, a one-shoulder silhouette and tulle skirt. As a further nod to royal family members before her, she added the Collingwood earrings, a pearl drop set that once belonged to Princess Diana.
Her pose – smiling directly into the camera – also seems to reference the iconic photos of Princess Diana taken by Mario Testino.
The final portrait featured the Duchess in a serene and striking pose, seated and looking off to the distance in a style reminiscent of traditional royal portraits. She wore a pale gown with a boat neckline, bows tidied at the shoulders and a fitted waist.
In each portrait, Kate wore her hair styled in loose, flowing waves, kept more tousled than coiffed for a modern touch. Her makeup was kept fresh and simple, with a nude lip, strong brows and a subtle flick of eye liner.
