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Home is a feeling in new Irish film Abode

Reviewer score
15A
Director Liam O Mochain
Starring Marion O'Dwyer, Brendan Conroy, Mary McEvoy, Rose Henderson, Matthew O'Brien, Gail Brady, Mary Murray, Stephen Jones, Donncha Crowley, Ryan Lincoln, Sophie Vavasseur, Liam O Mochain, Anthony Morris, Jed Murray, Lynette Callaghan, Karl Argue, Sinead O'Riordan, Ali Dempsey McMahon

In the week in which we were told that Ireland's housing crisis is likely to persist for at least another 15 years, comes an Irish anthology film about the concept of home. Here, you get five different stories from writer-director Liam O Mochain, all featuring familiar faces.

In the first, a restaurant owner (Liam O Mochain) and a homeless woman (Marion O'Dwyer) cross paths at Christmas.

Marion O'Dwyer on the move in the film Abode
Carol (Marion O'Dwyer) is presented with an opportunity to share the spirit of Christmas

Love, it seems, is in the air in the second as a shopkeeper (Mary McEvoy) is pursued by a dapper customer (Brendan Conroy).

Kitchen confidential - Mary McEvoy and Brendan Conroy in Abode
Peggy (Mary McEvoy) listens as Red (Brendan Conroy) turns on the charm

The third story, which ties for the best, sees a woman (Rose Henderson) all het up about a big event.

Donncha Crowley and Rose Henderson in Abode
Frank (Donncha Crowley) tries to keep Molly (Rose Henderson) calm on her big day

In the quirky fourth, a hot-under-the-collar couple (Gail Brady and Matthew O'Brien) buy a cooker that seems to have a life of its own.

Gail Brady, Jed Murray, and Matthew O Brien in Abode
Skyler (Gail Brady) and Sam (Matthew O'Brien) get the hard sell from salesman Bill (Jed Murray)

The fifth and final fly-on-the-wall closes the film powerfully as a mother and father (Mary Murray and Stephen Jones) try to get away from it all on a hotel break.

Mary Murray and Stephen Jones in Abode
Maria (Mary Murray) and Conor (Stephen Jones) wonder what's coming next

Abode has its share of surprises and good performances throughout. There is more meat on the bones of some of the vignettes than others - and a bit too much music at times - but the pace ensures that the film as a whole doesn't outstay its welcome.

Behind the scenes, there's no doubt that money was tight. It's commendable that what's on screen looks so well. In selected cinemas nationwide.