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Say cheese! Wallace and Gromit expo puts kids into motion

People look at the dining room set model, from Wallace & Gromit: Vengeance Most Fowl, 2024, during a photocall for the Inside Aardman: Wallace & Gromit and Friends exhibition at the Young V&A museum in London on 9 February, 2026
A look at the dining room set model from Wallace & Gromit: Vengeance Most Fowl

A new London exhibition is aiming to inspire children to follow in the footsteps of the creators of Wallace and Gromit and their beloved animated world.

The Young V&A museum in east London is giving a behind-the-scenes look at Aardman, the studio that created the popular stop-motion favourites, Shaun the Sheep and others.

Morph during a photocall for the Inside Aardman: Wallace & Gromit and Friends Exhibition at Young V&A on 9 February, 2026 in London
The legendary Morph greets his adoring public

Opening on Thursday, Inside Aardman: Wallace & Gromit and Friends uses interactive and colourful displays to explore how the British studio's iconic clay characters are brought to life.

Timed to coincide with the 50th anniversary of Aardman's first production and showcasing over 150 objects - including models, sets, and storyboards from the studio's archives - the exhibition took nearly two years to prepare, said chief curator Alex Newson.

Gallery staff during a photocall for the Inside Aardman: Wallace & Gromit and Friends Exhibition at Young V&A
The exhibition took nearly two years to prepare

"It's really celebrating... how those characters have survived the test of time, and if anything, are more loved today than they were when they kind of first came out," Newson told AFP.

"We really also wanted to show the process behind how they are made," said the curator, including how the creators came up with characters like the hapless, cheese-loving inventor Wallace and his floppy-eared dog Gromit.

A general view during a photocall for the Inside Aardman: Wallace & Gromit and Friends Exhibition
Aardman, based in Bristol in southwest England, uses the word 'thumbiness' to describe how viewers can almost see the fingerprints of the people who make the models and scenes

"But more than that, we wanted to use those... to inspire children to become kind of the next animators and the animators of the future."

Despite the rise of children's exposure to screen time, Newson believes "people want to make things by hand still".

Gallery staff during a photocall for the Inside Aardman: Wallace & Gromit and Friends Exhibition at Young V&A
The exhibition runs until 15 November

"I know that in today's increasingly digital world, it's easy to create something without having to do anything. But there is a real thirst to make things, and there's also a real thirst to see things that have been made by people."

Aardman, based in Bristol in southwest England, uses the word 'thumbiness' to describe how viewers can almost see the fingerprints of the people who make the models and scenes.

A general view during a photocall for the Inside Aardman: Wallace & Gromit and Friends Exhibition at Young V&A on 9 February, 2026 in London
Founded in 1972, Aardman began with friends Peter Lord and David Sproxton making animations together on their kitchen table while they were still at school

"You can understand that this was a handmade thing, and there was love, sweat, and tears that have gone into the creation of it," said Newson.

Beast of Mossy Bottom

To mark its half-century, Aardman will release a new film later this year: Shaun the Sheep: The Beast of Mossy Bottom.

People look at the Gromit in the Greenhouse set from Wallace & Gromit: The Curse of the Were-Rabbit, 2005, during a photocall for the Inside Aardman: Wallace & Gromit and Friends exhibition at the Young V&A museum in London on 9 February, 2026
Gromit in the greenhouse set from Wallace & Gromit: The Curse of the Were-Rabbit

Schoolchildren previewing the exhibition, which runs to 15 November, enjoyed the interactive displays, which included a praxinoscope - an animation device - and character design stations.

They also saw lighting experiments on a film set from Wallace & Gromit: Vengeance Most Fowl, the process behind stop-motion video creation, and how animators make sound effects.

People look at a Wanted poster for the Wallace & Gromit character Feathers McGraw, during a photocall for the Inside Aardman: Wallace & Gromit and Friends exhibition at the Young V&A museum in London on 9 February, 2026
Fans look at a wanted poster for the Wallace & Gromit character Feathers McGraw

"It's very fun," said Zahre, aged eight, whose favourite character is Gromit.

Founded in 1972, Aardman began with friends Peter Lord and David Sproxton making animations together on their kitchen table while they were still at school.

The model of the Snowmanotron, from Wallace & Gromit's Cracking Contraptions, 2002, during a photocall for the Inside Aardman: Wallace & Gromit and Friends exhibition at the Young V&A museum in London on 9 February, 2026
The model of the Snowmanotron from Wallace & Gromit's Cracking Contraptions

The studio went on to become one of the UK's largest animation production companies, producing hits including Chicken Run, Shaun the Sheep, and Wallace & Gromit: The Curse of the Were-Rabbit, which won the 2006 Oscar for Best Animated Feature.

The company has also won Best Animated Short Oscars for Creature Comforts (1989), The Wrong Trousers (1993), and A Close Shave (1995).

Shaun the Sheep during a photocall for the Inside Aardman: Wallace & Gromit and Friends Exhibition at Young V&A on 9 February, 2026
The exhibition is timed to coincide with the 50th anniversary of Aardman's first production and showcases over 150 objects, including models, sets, and storyboards from the studio's archives

Source: AFP

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