The Book Show

The Book Show

The Book Show Sunday 9 December 2018

Every week join Rick O'Shea as he talks to Irish and international authors, book clubs around the country get to ask questions of the author they have just read,  and we bring you readings, festivals and news from the book world.

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The RTE Book Show is produced by Eoin Sweeney and John Daly by OJO Productions

The Book Show

The Book Show

We hear from 3 writers who have published memoirs. Themes of grief, mental health and fertility are explored in the work of Eilis Ní Dhuibhne, Arnold Thomas Fanning and Emilie Pine

The Book Show, Sunday 9th December

On this week’s show we hear from three writers about writing their memoirs.

Producer Zoe Comyns invited three writers into studio to have a conversation among themselves about the process of writing their memoirs - each one chronicling a time of pain, grief or illness. 

Emilie Pine is an academic and her book Notes To Self was published earlier this year by Tramp Press. It’s a volume of personal essays where she deals with subjects like addiction, fertility, sexual violence, feminism and the body.

Éilis Ní Dhuibhne is a novelist and short story writer whose latest book Twelve Thousand Days (Blackstaff Press) tells the story of her 30-year relationship with the renowned folklorist Bo Almquist which ended with his death a number of years ago. Her book recalls moments of both love and grief.

Arnold Thomas Fanning is a playwright and his memoir Mind On Fire (Penguin) is a portrait of his madness and recovery, detailing episodes of mania, homelessness, run-ins with the law and how he, his family and friends coped with his depression which spanned over a decade.

Emilie Pine, Arnold Thomas Fanning and Éilis Ní Dhuibhne

We hear each writer introduce themselves and their work and then discuss how they began the task of writing about these deeply emotional times in their lives. 

Arnold and Emilie say that writing in cafés and libraries helped them to begin - with noise and life around them in the public space made the experience less isolating. Éilis says that you’re delving into deep water when you’re writing about these things. Whether they write in libraries, cafés or during residencies the writers all agree on the necessity for finding a ‘safe space’ to draw out their own life experiences for the page.

Éilis notes that while writing about her partner’s last week on Earth was very difficult, it also helped her to focus on happier times and says that her book is both ‘darkness and light’.

Arnold researched his story through his own medical records while Emilie remembers fragments and these are what she has written. More recent memories are more difficult, she says, as the memories are still alive.

All of the writers have encountered public hospitals and the healthcare system and this is something that features each of their books. They talk about their different experiences of this. 

Arnold’s experience of the health system was often punishing and brutal but he says his memoir is an account of a recovery and he doesn’t think that he would be here to tell his story if it wasn’t for the intervention of a number of health workers who saved his life.

Telling your story is ultimately healing for the teller, says Éilis. And, she adds, reading other people’s stories is also consoling. Radical honest, says Emilie, creates radical honesty. People begin to share stories. She agrees with Éilis that writing can be incredibly healing. 



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