SOME NIGHT SHE WILL BE MINE - PICTUREHOUSE
CATCH YOUR FALL- ASLAN FEAT. DON MESCALL
REAL GOOD HANDS – GEOGORY PORTER
WHEN I WAS YOUR GIRL - ALISON MOYET
SLIP - STOOHIE
SOMEDAY – JULIAN LENNON FEAT STEVEN TYLER
LOVE LIKE THIS - KODALINE
SHE MAKES ME HAPPY - ROD STEWART
GET LUCKY - DAFT PUNK FEAT PHARRELL WILLIAMS
ONLY LOVE SURVIVES - RYAN DOLAN
MISS FANTASY - FLEETWOOD MAC
DEEP DOWN - MCMAHON
HEARTS IN THE HEARTLAND - GALIA ARAD
WILL I EVER GET TO SLEEP - HEIDI TALBOT
LAURA MVULA – THAT’S ALRIGHT
IT’S ALRIGHT –PRIMAL SCREAM
MASTER HUNTER – LAURA MARLING
SYNCHRONICITY –ROISIN O
IS THIS WHAT YOU WAITED FOR –CRY BEFORE DAWN
BIRD IN A CAGE - THE LOST BROTHERS
WHAM BAM! - ROBERT MIZZELL
HOME - PHILIP PHILIPS
I'm Your Vinyl - For You
B & The Honey Boy- Forgotten Books
Miles Kane - Don't Forget Who You Are
Gabrielle Aplin - Panic Cord
They made the BBC Sound of 2013 shortlist on the strength of their stunning single The John Wayne , but can Little Green Cars justify our love over an entire album’s length?
The answer is yes, yes, yes and yes. For five years this Dublin quintet have been percolating away on their sound and focusing on their vision. Their hard graft has paid off in spades – Absolute Zero is an absolute gem of a debut, a record so accomplished and accessible you wonder how they managed to stay under the radar until now.
Led by the vocals of Stevie Appleby and Faye O’Rourke, and with added vocal backup from bassist Donagh Seaver O’Leary, guitarist Adam O’Regan and drummer Dylan Lynch, They have a big collective voice with plenty to sayabout the naivety of youth, the terror of impending adulthood and the inevitability of death, along with a dash of social self-doubt and a decent helping of young lust.
The band’s conquest began with The John Wayne , a thumping anthem for anyone who’s been outdrawn in love. But they’ve clearly got more nuggets under their gunbelt. The album opens with the newest single, Harper Lee , an infectious tune that will send you skipping to the library for a copy of To Kill a Mockingbird .
The transatlantic influences abound: The Consequences of Not Sleeping wanders in a Laurel Canyon dreamscape, and Big Red Dragon is big and deep and wide. But just when you’ve nailed them as the love child of Arcade Fire and The Decemberists, they wrongfoot you at just the right time. Red and Blue uses vocorder to explore a very different soundscape, while The Kitchen Floor echoes the Gallic ambience of Air’s All I Need– except this one’s more All I Don’t Need .
The last is one of three songs on which Faye O’Rourke handles lead vocals; her most striking contribution is on My Love Took Me Down to the River to Silence Me . It sounds like a gospel-tinged murder ballad, O’Rourke’s voice given added power by the visceral lyrics. I’ve heard of getting dumped, but this one’s a doozy.
On the lovely, lonesome closing Goodbye Blue Monday , Appleby begs, “And if you run out of space, please don’t erase your time with me”. He needn’t worry. Make room for this album in your head – if this is the sound of Irish indie in 2013, then all is well with the world.
This week, Maxi, gives us one of her all-time favourites..
The song I can't get out of my head all week, is Still in Love with You by Phil Lynott.
Phil started life as a poet and used to go to the poetry readings in Slattery's of Terenure when he was a teenager. A little encouragement from the masters there , gave him the courage to keep on keeping on . He went on to worldwide fame and 27 years after his death, his memory is living and loved.
This is strong song, one he always dedicated to his mother Philomena , who is featured in On The Street Where He Lived , all about highs and lows of love .
To listen back to The Street Where He Lived - Phil Lynott click HERE
RTÉ Radio 1 Music Policy
To complement the wide range of music on the RTÉ Radio 1 schedule, and to ensure our audience is kept abreast of contemporary music, a playlist system is in operation featuring the best of the current albums and singles. The tracks are rotated over the main daytime programmes and are updated every week.
Tracks from the Radio 1 Album of the Week can be heard over the week on Risin' Time, The Ronan Collins Show and Late Date.